Friday 28 May 2010

L’ile aux Ashby - The Art of Accessories


L’ile aux Ashby (pronounced as “L” “OR” “ASH” “B”) is a fashion label for the discerning urbanite; designs that will encompass three distinctive attribute – quality, detail and exclusivity. First established in Singapore in year 2005, founded by designer Rayson Tan. The Red Dot Design Concept Award and graduate from LASALLE SIA College of the Arts.



 L'ile aux Ashby aims to evoke thoughts and translate emotions in the masses through its universal design. The ever classy avant garde creations translated into exclusive fashion pieces. Dare to explore the uses of materials, juxtaposing them into various organic shapes, something old something new is always the bonus of L’ile aux Ashby collection.



Assistant Styling: Sherlynn Low

Photography: Bernard Wee

Makeup and Hairstylist: Eddie Norman

Model: Taisiya Popova


The products of L'ile aux Ashby are delicately made with full emphasis on elaborated details of a work. All these designs are limited in pieces, giving access to a privileged minority. This allures the exclusivity of L'ile aux Ashby. These collection pieces are not about flaunting the size of that stone, but a celebration of the pleasures of fashion expressed in L'ile aux Ashby's way.

Featured already in leading fashion magazines and blogs, we should expect from young designer Rayson Tan and huis brand - L’ile aux Ashby- great things in a very near future.





L’ile aux Ashby
Spring/ Summer KHAOS Collection

Photographer: Fadli Rahman

Makeup Artist: Laea Hidayah

Hair Stylist: Fadli Rahman

Stylist: RANDK

Model: Mathilde Anne

Thursday 27 May 2010

"Success is the Best Revenge"

HARD TIMES Editorial By Benjamin Glean








 

Photographer - Benjamin Glen

Assistant - Adam Richardson

Styling - Naomi Gray

Make Up - Mira Parma

Hair - Aaron Carlo

Models - Adam @Premier model Management and victoria @ D1 Models.

Burton For McQueen

SARAH BURTON, the late Alexander McQueen's right-hand design aide, has been named creative director of the London-based fashion house.



Burton - who grew up in Manchester and graduated from Central Saint Martins in 1997 - worked with McQueen for sixteen years. Having joined the brand in 1996, she has worked as head of womenswear design since 2000 and was credited with completing the designer's autumn/winter 2010-11 collection in time for Paris Fashion Week in March, following his suicide less than a month earlier.



"The creation of modern, beautifully crafted clothes was at the heart of Lee's vision. I intend to stay true to his legacy," commented Burton on the announcement.

Gucci Group affirmed they would continue the company in McQueen's name shortly after his death, stating that the designer had set the "building blocks of the brand" that would allow the business to thrive.

Jonathan Akeroyd, president and ceo of Alexander McQueen said: "We are delighted that Sarah has agreed to take on the role of creative director. She has a deep understanding of his vision, which will allow the company to stay true to its core values." Burton's appointment will help strengthen the future of the company, which continues to press forward - with plans to launch a men's underwear collection in June.




"Sarah is extremely talented and under her creative leadership we are ready to enter a new phase in the brand's history," said Akeroyd.

Robert Polet, president and ceo of Gucci Group added: "Sarah has a real talent, a close understanding of the brand, and the vision necessary to take it forward. We will be giving full support to Sarah and the team in the coming years."

Sarah Deeks

Sasha Pivovarova and Freja Beha Erichsen in V #61






Exclusive imges of Sasha Pivovarova and Freja Beha Erichsen for V magazine. The extreme perspective and theatrical styling used by Mario Sorrenti in the famous Times Square of Manhattan stand out against the gritty city landscape.






Monday 24 May 2010

TECH STYLE | Then is Now

Retro modern style is not only the fashion in clothing– the latest technology trends also have us looking "back to the future." In computing, Apple leads the way in digital product design. For its software applications, iPhone apps and, most recently, apps for the iPad, the visual "look & feel" of Apple products set the benchmark for other designers and companies to measure up to. However, much of the inspiration for Apple's cutting edge design comes from the Braun appliances from the 1960s, conceived and realised by the vision of Dieter Rams.
Classic design is timeless. As our gadgets become adept at their function, it's only natural to consider their form– and to look to the past for elements of style that give our technological possessions and surroundings a touch of charm and personality.

So how can you go retro and at the same time show off your geek credentials by sporting the latest kit? Lucky for you, we've assembled some product ideas to help you get started.


Flashback photography on your smartphone

Hipstamatic, $1.99 USD / £1.19 GBP, iTunes Store (http://hipstamaticapp.com/)



The iPhone isn't known for having the best camera, but that doesn't mean you can't take funky pictures. With Hipstamatic, you can turn your iPhone into a variety of old-fashioned toy cameras to give your pictures a distinct, unique and quirky look . Choose from any of the 3 lenses, 3 films and 1 flash, included as standard, and you may continue to buy add-on packs for additional lenses, films, flashes and gel-packs.





Or if you prefer your photos shaken, not stored

Polaroid 600 One Kit Giambarba, £135.00 GBP, The Impossible Project (http://the-impossible-project.com/)

Who can resist the magic of watching a picture develop before your eyes, and to think– Polaroid had discontinued their classic instant camera. Although by popular demand, it was brought back with an updated, yet traditional look as created by Paul Giambarba- the man who was responsible for the original packaging design for Polaroid in the late 50's.



Pick up the phone with style

Desk Phone Dock, price n/a, Kee Utility (http://www.deskphonedock.com/)

Gone are the days of sitting back in your Eames office chair, sipping whiskey from a highball tumbler, while shouting at your assistant "those outfits should have been in Milan by now," before slamming the handset down. Tapping on your iPhone to hang up just doesn't have the same effect– and you wouldn't want to slam it down and scratch the screen, would you? Well– now you can have your smartphone and handset too. The Desk Phone Dock is a cradle for your iPhone that turns it into something that would look at home on the desk of a 1970s architect.




A Timeless Timepiece

Stührling Classic Ascot, $69.99 USD, Stührling Original (http://www.stuhrling.com/)


Rooted in the history of Swiss engineering, Stührling has been crafting timepieces since the 1800s. The Classic Ascot is a watch that is both modern, and timeless. It would be as much in fashion during the 60s as it is today. On top of that, it is reasonably priced, so going retro doesn't have to make your wallet history.



This isn't your grandfather's drum and bass

Bush TR82DABCC DAB/FM Radio, £59.99 GBP, Argos (http://www.argos.co.uk/)
A radio with a 1950s exterior and a state-of-the-art interior. With a digital radio tuner inside, this age-old radio has be retrofit for the new millennium. Named after Shepherd's Bush, where the company was founded, the name Bush represents one of the pioneering brands of the golden age of radio.


The designer behind the designers


Less and More: The Design Ethos of Dieter Rams, $78.00 USD / £45.00 GBP, Gestalten Books (http://www.gestalten.com/)
Get inspiration from the work that continues to inspire Apple and countless other designers. As Head of Design for Braun A.G. from the 1960s through the 1990s, Dieter Rams oversaw the creation of numerous products that have become design icons. With this retrospective of his work, and design ethos in your library, you'll surely find many more examples of classic design influences in modern technology to help you develop your own retro modern style.



Kai Turner
Director of Oxidant, a digital product design company. (kai@oxidant.co.uk)

Vogue Fashion’s Night Out in London 2010 - Know What to Expect.


In September 2009, Vogue took its lavish pick at the world’s greatest fashion icons, and the world was invited to attend- an unprecedented occasion, held in the world’s largest twelve capital cities. The bold result of a global fashion initiative, Vogue’s Fashion Night Out is a glamorous medley of internationally acclaimed designers, boutiques, high-street chains and department stores. The London scene was the perfect complement for Vogue’s Fashion Night Out- with the capital’s reputed name as a top global shopping destination, and its highly acclaimed local designers, the party was there to stay, and shine. Needless to say, from 6 pm to midnight, London’s West End was infused with high fashion spirits, which kept shoppers buzzing about in sheer elation.



The event’s immense success and instant popularity gain raised the bar for Vogue more than just up a notch. Only its second year round, and the expectations for London Fashion’s Night Out are high, while fashion spirits are stirring in anticipation. So, what was so enticing about Vogue’s Night Out, that’s got the whole world waiting for?

For one, it is unparalleled, in both character and organization. Vogue’s Fashion Night Out was a sensation for all involved parties- London’s fashion stores welcomed thousands of new customers, and left retailers counting up unprecedented record sales. The extended shopping hours abounded in original in-store activities, ranging from workshops and makeovers, to personal appearances, the ultimate result of sustained work from Vogue and retailers combined. Not only was it a night of vibrant fashion display, but Vogue took the chance to add a great charitable purpose to the occasion. Hence, 100% of profits raised on the special Vogue limited-edition T-shirts went to a UK charity that helps the homeless.

Following the great success of last year’s Fashion Night Out, Vogue writers were wondering whether the event would become an annual shopping celebration. But with this year’s Fashion’s Night Out dates released, four more locations added and fashion lovers worldwide counting down the days till the great event, there is no doubt in anyone’s mind that Vogue has created an event of global magnitude, and there to stay.


September 7, France, is the time and place for this year’s great event launch; by next evening, Korea and Britain will be ready for a night of extravaganza; September 9 is the date for Spain, Portugal, Italy, Germany and Australia; the United States, India and Russia quickly follow on September 10; Taiwan, China and Japan on September 11; and finally Greece and Turkey rounding up the event on September 16.

Needless to say, the countdown for London is up and running. One hundred twenty one days till London Fashion’s Night Out, and the event already looks immensely promising. Last year, the Vogue team rounded up London’s the crème de la crème of fashion designers, models and fashion enthusiasts, who swept customers of their feet with expert styling and advice on the latest trends. For one night, retailers’ doors swung wide open for a flow of superstar appearances, as Vogue turned the city’s favourite shops into a melting pot of the greatest fashion icons.

With Vogue’s Christopher Bailey and Alexandra Shulman as hosts, last year’s Burberry party excelled in physical splendour, with models on parade, and Erin O’Conner, Natalia Vodianova and Claudia Schiffer to name a few, celebrating Vogue’s unique initiative. And truly, their common mission was accomplished, as the night was a booming celebration of fashion and fun, leaving shoppers and retailers wanting for more.



As for quality fashion advice, you had Mrs B at Browns in Mayfair securing a handful of her favourite designers to take over the shop’s floor for the night. After Tweeting a warning to potential customers against discount requests, Henry Holland took the till job very seriously indeed. And it wasn’t a one-man shift, mind you, as he was accompanied by co-workers Marios Schwab, William Tempest, Lily Parker and Ben Grimes, who equally offered a share of precious fashion sense. Over by Topshop in Oxford Circus, and you had a glowing Jordan Dunn imparting a bit of fashion advice to shoppers.

This year, you’d be wrong to expect anything less- Fashion’s Night Out has already been dubbed 2010’s biggest fashion party. And no wonder- looking at last year’s reviews and figures, there’s no room for doubt why Matthew Williamson expected this year’s event to be ‘even bigger and better’. Rounding up the night, Diane Von Furstenberg declared that the occasion registered sales greater than ever, while Nicole Farhi counted 600 shoppers in her store, and £6k in retail sales over a mere four hours. Burberry too recorded a 15% sales increase, and the event surely left Prada spokeswoman impressed with the diversity of the customer turnover. Only words of praise for Vogue, and a flow of pleas for even more in-store activities for the years to come.



A shopping heaven, many called it. An all-out global success, critics declaimed. Indeed, whether you went in search of your very own, Lucinda Chambers designed, FNO T-shirt and donate your share to the homeless charity Crisis, or to gather up the highlights of your winter wardrobe, or simply just to immerse yourself into the Vogue allure and keep an eye on celebrity appearances, you were there to witness an unforgettable event. And this year, Vogue surely sticks by its promise of a great night- not of last year’s magnitude, but much bigger and much better.



With glamorous audacity and a vibrant passion for dress-up art, Vogue once again summons the world’s most acclaimed fashion icons at your high-street till. Judging by last year’s success, Fashion’s Night Out has darted its way up amongst the fashion’s heavyweight, and it’s not an event to cook up anything less than a storm. So if you haven’t started counting down yet, make sure you do now and mark that date in Sharpie on your planner, because Vogue Fashion’s Night Out in London 2010 is not a party you’d want to let yourself miss!



 Andreea Berciu

Saturday 22 May 2010

ALTERNATIVE FASHION WEEK DAY 5


Almost as soon as it had begun, the final bustling hour and a half of Alternative Fashion Week loomed across the thronged paving of Spitalfields Market. Centred around the blanched catwalk, the crowd gathered. Alternative Fashion Week being open to the public, an excited hush descended over the eclectic mixture of the fashion pack, and excited passers by, punctuated by the occasional clink of a coffee cup or crying baby. That’s the interesting thing about this fashion week, the young sibling of London’s fully fledged Fashion Week. It feels almost like a natural extension of its surroundings, part of the day-to-day hustle of London life. 

True to the saying, day 5 saved some of the best for last, Kim Seoghee leading the pack with an avant-garde mixed men’s and womenswear collection comprising of exclusively black pieces. This years must, the jumpsuit was paraded down the double-ended catwalk, with a healthy dose of the harem crotch being applied to a selection of leggings and trousers. 



 


Another of the day’s successes was Laura Fox’s collection of womenswear inspired by the ideal of British Heritage. Her collection came down the catwalk in a melee of wax and tweed brought to life in the modern day through the use of elegant shapes.


 



Wilfried Pletzinger was one of the stand out designers of the day, presenting his audacious collection of recycled sportswear. Although not necessarily wearable – a full length skirt made from jogging bottoms provides more than a little difficulty when it comes to actually walking – the designs were certainly an eye-catching tribute to what one can do with a little imagination and a collection of brash 90s gym attire.
  




And in the flash of a bulb it was over. The crowd parted for the last time, into the wind whipped chill of a surprisingly sunny East End. Alternative Fashion Week takes place each spring, so if you missed it, don’t panic, for there is always next year. With no admission charge and a stomping ground in one of the coolest quarters of London, there’s no excuse for missing this, and you never know, you might just spot one of fashion’s rising stars. 


Ben Schofield

Alternative Fashion Week Day 4 Highlights



Alex Seroge Ignatian




Sharing sophistication and culture, Alex Seroge Ignatian presented Thursday’s eager audience with a collection based on Middle Eastern culture. The strong colour palette flowed from Persian red, magenta and deep purple to shades of brown, green and finally ochre. The brocade coats took everyone’s breath away. Who knew culture-chic could look so effortlessly cool?

Talking about cool, Ignatian’s unique take on harem pants are an excellent alternative to the plain high street versions offered this season. As for accessories, models dashed across the runway wrapped in long scarves mysteriously hiding parts of their faces proving that power is not only about show and tell. Ignatian’s collection ticked all the boxes; be it colour, shape or cut, the clothes worked in perfect harmony and pleased all eyes.





 



Natasha Naday

ALTERNATIVE FASHION WEEK DAY 3



Day three of alternative fashion week brought with it an eclectic mix of the insane and the inspired. Veiled behind the press of people thronged tightly beneath the glass-topped sweep of London’s Spitalfields Market, the catwalk lay in wait for the day’s designers. Through the tight mass of the crowd, interspersed with the occasional glint of a brightly decorated model, protruded the white backed catwalk, onto which the first of the day’s designs stepped out. 

Hush descended, the lights went up, and the characteristic clatter of a hundred shutters presided authoritatively over the scene. It being alternative fashion week, we were reminded of the freedom of these designs, unencumbered by commercial restraint. For some designs, and I refer here to Amy Day’s ‘Celestial Macabre’ collection, a line of latex designs, it was easy to see why. First I wondered what gave her the idea of using such a brash material, and quickly my thoughts turned instead to how on earth the models had managed to shoehorn themselves into their outfits. My guess to this day remains elbow grease and a heap of talcum powder.

However, the designs weren’t all quite such an unbridled celebration of the freedom of fashion. Adel Andic had obviously experienced the powerhouse that was Todd Lynn’s A/W 10/11 collection, yet her earthen designs of empowering layering, combined with the warrior goddess big shoulders was an absolute triumph. 


Gemma Wadsworth’s sportswear collection based on the ‘Tokyo’ trainer was an inspired look at sportswear, boasting an understated luxury. 


Another of the day’s triumphs was a mixed men and womenswear collection from Havering College, whilst the womenswear was good, it was the menswear that brought them out of the realms of forgettable. Caped shoulders added a fresh twist to their immaculately cut checked jacket, and the flash of velvet on the pocket provided an extra dollop of class. 






So don’t take the word alternative to necessarily mean it’s going to be a bit ‘out there’, despite the odd flash of schizophrenic style, London’s Alternative Fashion Week is a great place to spot yourself an up and coming designer. 


Ben Schofield